Lifesaving Poems is one year old

A year ago I began the Lifesaving Poems series of blog posts.

I got the idea for it after reading a remark by Seamus Heaney in an interview, where he wondered how many poems could matter to an individual over a whole lifetime. Intrigued to find out how many poems I felt were essential to me, I began copying out poems by hand into a notebook. I allowed myself one poem per poet (OK, so William Blake got two), and I had to be able to say I knew where I was when I first heard or read it. Those were my rules.

It took ages to complete.

But now I have a very full notebook full of handwritten poems which only I can decipher. Such collections are not perfect, and certainly not exhaustive. There are ‘classics’ in there, and some obscurities. There are poems by friends, and those of friends of friends. You will not like all of them, but that is not the point.

More than once I have toyed with the idea of starting a new book, to put in all the poems I left out the first time round.

But it was a useful exercise in that I learned a lot about my own ‘taste’ (always a moveable feast), about the poems I thought I knew really well and the influences which have shaped so many years of reading. More than anything, it has reminded me of great friends and teachers to whom I feel enormous gratitude.

The thirty-two poems I have written about so far are listed below. That is a pretty slow rate of less than one a week. As one of my teachers used to say: Four out of ten. Must do better. See me.

Here’s to the next year of Lifesaving Poems.

Let a place be made, Yves Bonnefoy, from European Poems on the Underground Read more here

‘This morning was cold’, Jaan Kaplinksi (trs. Jaan Kaplinski, Sam Hammill and Riina Tamm), from The Wandering Border Read more here

A Letter to Peter Levi, Elizabeth Jennings, from Selected Poems Read more here

K563, Peter Sansom, from Everything You’ve Heard is True Read more here

Corminboeuf 157, Robert Rehder, from The Compromises Will be Different Read more here

To My Heart at the Close of the Day, Kenneth Koch, from New Addresses Read more here

May the Silence Break, Brendan Kennelly, from A Time for Voices Read more here

Tides, Hugo Williams, from The Penguin Book of Contemporary British Poetry Read more here

Fishermen, Alasdair Paterson, from Strictly Private Read more here

On Roofs of Terry Street, Douglas Dunn, from The Penguin Book of Contemporary British Poetry Read more here

Alone, Tomas Tranströmer (trs. Robin Fulton), from New Collected Poems Read more here

The Missing Poem, Mark Halliday, from Jab Read more here

The Picnic, John Logan, from Touchstones 5 Read more here

June 30, 1974, James Schuyler, from Collected Poems Read more here

Jet, Tony Hoagland, from Donkey Gospel Read more here

Looking at them Asleep, Sharon Olds, from The Matter of This World Read more here

With Only One Life, Marin Sorescu, from The Biggest Egg in the World Read more here

Chemotherapy, Julia Darling, from Sudden Collapses in Public Places Read more here

Psalm 102, of David, from The Old Testament Read more here

The Black Wet, W.N. Herbert, from New Blood Read more here

High Fidelity, Christopher Southgate, from Easing the Gravity Field Read more here

Mercifully ordain that we may become aged together, Ann Gray, from At the Gate Read more here

I Would Like to Be a Dot in a Painting by Miro, Moniza Alvi, from The Country at My Shoulder Read more here

The Ingredient, Martin Stannard, from The Gracing of Days  Read more here

Prayer/Why I am Happy to be in the City This Spring, Andy Brown, from Goose Music Read more here

Domestic Bliss, Mark Robinson, from The Horse Burning Park Read more here

The Tyger, William Blake, from The Rattlebag Read more here

Prayer, Marie Howe, from The Kingdom of Ordinary Time Read more here

Dusting the Phone, Jackie Kay, from Other Lovers Read more here

Women Who Dye Their Hair, Janet Fisher, from Women Who Dye Their Hair Read more here

Wet Evening in April, Patrick Kavanagh, from Collected Poems Read more here

Let’s Celebrate, Mandy Coe, from Clay Read more here

Boggle Hole, Cliff Yates, from Frank Freeman’s Dancing School Read more here

The Divine Image, William Blake, from The Human Dress (Lies Damned Lies) Read more here

 

4 comments

  1. marcusjwilson

    Happy first anniversary to the Blog!

    On the subject of Livesaving Poems, the arts organisation I worked for in the Highlands and Islands of Scotland took a very literal approach to “life saving poetry” in 2005 by appointing a poet to work directly with young men in the region who were shown to live in communities with high suicide rates.

    The idea was to use poetry as a medium to allow young men to talk about the issues they faced in their own lives, rather than bottling up problems or trying to face them alone.

    The project drew some criticism at the time, but was generally hailed to be a positive intervention in communities where many men were expected to take on a rather ‘macho’ role.

    See http://news.bbc.co.uk/1/hi/scotland/4349956.stm

    I’d be interested to know if other poetic interventions have taken place elsewhere in the UK.

    Like

    • Anthony Wilson

      Hi Marcus, thanks so much for commenting and letting me know about this. I have long held an unscientific belief in the healing powers of poetry -this is a very useful addition to my mental map of how it has been used ‘out there’. As ever with warmest wishes
      Anthony

      Like

  2. Roselle Angwin

    I love this idea, Anthony, and I appreciate your commitment to the process of posting the poems. It adds to my life to read and consider these, and we have some choices in common. Love, Roselle

    Like

    • Anthony Wilson

      Hi Roselle, and thanks so much for taking the time to comment. I do think, sometimes, that committing to the process is all we can do. This gives me much comfort for making the long haul. As ever with best wishes and thanks, Anthony

      Like

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